在电影院看了阉割版的《Cloud Atlas》，非常喜欢这种片，回家赶快补看了完整版，发现被剪掉了太多精彩的片段，精彩的台词也丢了不少，看第三遍的时候，我记录了部分喜欢的台词： I know, Sixsmith, you groan and shake your head, but you smile too, which is why I love you. I will not be subjugated to criminal abuse! At this point in my life, all I know, Sixsmith, is that this world spins from the same unseen forces that twist our hearts. Seen too much of the world, I no good slave. You can maintain power over people, as long as you give them something. Rob a man of everything, and that man will no loner be in your power. -Did you ever think that the universe was against you? -All the time. Freedom, the fatuous jingle of our civilization. But only those deprived of it have the barest inkling of what it really is. You have to do whatever you can't not do. Belief like fear or love is forced to be understood as we understand the theory of relativity and principles of uncertainty. Phenomena that determine the course of our lives. Yesterday, my life was headed in one direction. Today, it is headed in another. Yesterday, I believe I would never have done what I did today. These forces that often remake time and space, they can shape and alter who we imagine ourselves to be, begin long before we are born, and continue after we perish. Our lives and our choices like quantum trajectories are understood moment to moment at each point of intersection, each encounter, suggest a new potential direction. -What are you reading? -Old letters. -Why do you keep reading them? -I don't know. Just trying to understand why we keep making the same mistakes... over and over. Nay, the dead never stay dead. Open your ears, and they'll never stop a yibberin'. -All clear. -Thank you. -No sweat, we're partners. But you got to tell me what's happening. -Okay, let me take off these clothes, call the cops, and I promise I tell you everything that happen in the morning. -Okay. But I hope you realize you just said exactly what every character in any decent mystery says right before they get killed. -Good night, Javier. Our lives are not our own. From womb to tomb, we're bound to others, past and present. And by each crime and every kindness, rebirth our future. No revolutionary ever was. I understand now, that boundaries between noise and sound are conventions. All boundaries are conventions, waiting to be transcended. One may trandcend any convention, if only one can first conceive of doing so. Moments like this, I can feel your heart beating as clearly as I feel my own, and I know that separation is an illusion. My life extends far beyond the limitations of me. To be is to be perceived. And so to know thyself is only possible through the eyes of the other. The nature of our immortal lives is in the consequences of our words and deeds, that go on and are pushing themselves throughout all time. He believed that love could outlive death. Watched my final sunrise, enjoyed the last cigarette. Didn't think the view could be anymore perfect, until I saw that beat-up trilby. Honestly, Sixsmith, as ridiculous as that thing makes you look, I don't believe I've ever seen anything more beautiful. Watched you for as long as I dared. I don't believe it was a fluke that I saw you first. I believe we do not stay dead long. Find me beneath the Corsican stars where we first kissed. I believe death is only a door. When it closes, another opens. If I can't imagine heaven, I would imagine that door open. And behind it, I will find him there, waiting for me. 【twitter:@movielines_fan】
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简介 · · · · · ·
Heaven was recorded between November 2011 to March 2012 in Seattle and in the woods of Washington.[1][2][3][4] The album was produced by Phil Ek and featured contributions from Fleet Foxes' Robin Pecknold and Morgan Henderson and Cocteau Twins' Simon Raymonde.[5][3] The reason the band wanted to work with Phil Ek's was that they were impressed by Ek's work on Helplessness Blu...
(展开全部) Heaven was recorded between November 2011 to March 2012 in Seattle and in the woods of Washington.[1][2][3][4] The album was produced by Phil Ek and featured contributions from Fleet Foxes' Robin Pecknold and Morgan Henderson and Cocteau Twins' Simon Raymonde.[5][3] The reason the band wanted to work with Phil Ek's was that they were impressed by Ek's work on Helplessness Blues.[3] Hamilton Leithauser described the recording process for Heaven as the band's easiest
one yet.[6] Like with other more recent Walkmen albums, guitarist Paul Maroon wrote song outlines for the rest of the band to fill in the parts and lyrics.[7]
Hamilton Leithauser described Heaven as "lush-sounding" and "big and optimistic and fun and grand." The album's title was meant to reflect those vibes.[6] Frank Sinatra heavily influenced the singing on the album.
Heaven was released to positive critical acclaim.[22]
Allmusic's Heather Phares gave the album a positive review,
writing "[..] [E]ven if it's not the band's most cohesive work, Heaven comes across as a more or less triumphant culmination of the Walkmen's first decade, and the fact that happiness fits the band better than anyone could have expected is just a welcome bonus."[14] In another positive review, Sarah McCarty of Paste wrote the while the later tracks were weaker, "Heaven is a testament to The Walkmen’s triumph. After a decade, disappointment no longer possesses the power to defeat them. The
Walkmen survive. They can’t be beat."[18] The A.V. Club's Steven Hyden, referring to how all the band members were fathers, wrote "Heaven is a dad-rock record in a different, truer sense. It’s an album of big adult themes: the weight of responsibility, the realization that romantic infatuation is fleeting and probably bullshit, the power of fidelity and loyalty to outlast momentary sensation and passion." Hyden concluded: "After 10 years and seven albums, Heaven finds The Walkmen in a better
place."
While still giving a positive review, Popmatters' Matthew Fiander criticized Heaven for being "[..] a bit too schmaltzy," writing You can’t fault Leithauser for singing so sweetly to his daughter on 'Song for Leigh' or to his best friend on 'Heaven', but the declarations of those songs feel insular, only for that one person, and the rest of us are left to merely listen in."[20] Ben Schumer of Under the Radar also criticized the album in an otherwise positive review, writing "After 10
years together, a band typically grows more polished and mature, but it's difficult not to feel that something essential and elemental to The Walkmen's aesthetic is missing from most of Heaven-that palpable sense of urgency on display throughout their catalogue is on display far too little.
曲目 · · · · · ·
01 – We Can’t Be Beat
02 – Love Is Luck
03 – Heartbreaker
04 – The Witch
05 – Southern Heart
06 – Line By
Line
07 – Song for Leigh
08 – Nightingales
09 – Jerry Jr.’s Tune
10 – The Love You Love
11 – Heaven
12 – No One Ever Sleeps
13 – Dreamboat
14 – The House You Made
15 – Pestering Sins
喜欢听"Heaven"的人也喜欢的唱片 · · · · · ·
0 有用 阿盐 2012-05-23 02:55:57
徘徊在不错啊和一般啊之间。。
0 有用 Born liar 2013-01-13 09:44:29
邻家的nice guys finish last
0 有用 やま 2013-01-20 03:15:14
都一样啊怎么办Orz
0 有用 往巴比伦 2012-06-07 21:22:09
[We can't be beat]一直在小众
0 有用 钱花德勒 2021-01-13 19:41:38
heaven真的太好听了还是因为hlmym知道的这首歌 上次车载放了下我爸都觉得好听 就很适合用音响放着听
0 有用 ▲une 2014-02-28 17:11:35
the witch
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